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Studio Upgrades

October 29th, 2005 in Noteworthy and Podcasting Tags:

Aphex 320A Compellor

I am adding a few upgrades to my home podcast production studio. After discussions with Doug Kaye and Paul Figgiani I have added an Aphex 320A Compellor. This piece of gear is a marvel. It essentially acts as a leveler, as though someone were manually riding your gain control to account for variations in the audio. It is really helpful in post production on items such as the interviews I do for the Disneyland Podcast where the recording environment is not always ideal.

Aphex 109

I am also waiting on two additional pieces of gear. I picked up an Aphex 109 Parametric EQ off of Ebay as well as ordering a new compressor from BSW, the Aphex 661 Tube Compressor/Limiter.

Aphex 661

Once I get this gear set up, there are two additional pieces on my to get list. An Aphex 622 and an Aphex 720 Dominator II. As you can see, I am sold on Aphex. I have been really impressed with their gear. I will probably have to do a new Podcast About The Podcast as my setup has changed considerably including a Mackie Onyx 1220 and Telos One. If you are interested, my Symetrix 528e voice processor will be looking for a new home soon. Why all the changes? Blame it on this.


3 Responses to “Studio Upgrades”

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  1. Gravatar Icon 1 Teddy Levine Nov 12th, 2008 at 4:15 pm

    p9lkcnhy3narv0vu

  1. 1 Fresh Podcasts trackback on Oct 30th, 2005 at 1:22 pm
  2. 2 More Studio Upgrades at MWGblog pingback on Jan 27th, 2006 at 10:55 pm

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Michael W. Geoghegan is founder and CEO of GigaVox Media, a production, consulting and technology company focused on audio/video new media.

As a pioneer of podcasting, Michael created some of the first corporate podcasts, including efforts by Disney. Michael is also creator of the 2008 James Beard Award winning "GrapeRadio" and "Reel Reviews: Films Worth Watching". He is editor-in-chief of the Podcast Academy™ book series and co-author of Podcast Solutions: The Complete Guide to Podcasting.

Michael speaks frequently on podcasting's impact on new media and its corporate applications and is often quoted by the media including in The New York Times, USA Today, CNN and Wired Magazine.